After Laurent sent his response to my proposal, I replied back to him with my thoughts…

Dear Laurent,

I believe I understand what you mean by that “aromatic minty note” in Frankincense & Myrrh. Though, admittedly, I liken that “aromatic minty note” more to the way it feels when you catch an ungodly cold and in desperation smear nose-tingling Vicks VapoRub across your chest. (I lack a poetic soul. Clearly.) I do like it, but solely within the context of that specific fragrance. I can see why you might not be so crazy about it, and I concur it’s best to not use that sort of note for our perfume project. Your description of a “raw woody” note is one I quite like, because I deeply enjoy the arid quality about the woodiness.

The “burnt note” you sense in Cuir de Russie is nothing I’m overly enamored with, but I do like a wee bit of wickedness in a fragrance. Is it possible to use something else that might smell somehow naughty in the base? I think I the fragrances I love best all seem to have some sort of small conflict hidden inside them, perhaps for the same reason that all good music has a degree of tension to it. Cuir de Russie’s trace of smokiness is enjoyable for me, but pehaps this perfume can possess but a small wisp of smoke that smells rather transparent, and not quite so, well, burnt smelling? Or maybe you have something good in mind that is even better? I must defer to your vast knowledge and sense of balance here. It will be interesting to discover what you decide upon for filling out and widening the scent with… Please, go just a little nuts! I am hoping for a fragrance with funny little angles to it, something that beguiles with a few odd quirks here and there.

Hopefully, this is more helpful than not, and I sure hope I’m not being difficult!

Yours,
Katie