Cai Guo-Qiang has been known as 蔡國強 in Japan, and many (or most?) of us still pronounce his name ‘さい・こっきょう’, which sounds terribly different from the real pronunciation. The way he is called in the US is closer to Chinese, but I suppose the artist wouldn’t mind the way Japanese call his name since he had spent the early part of his career in Japan (before moving to New York) long enough to think he has a Japanese name. What is probably most important about his name is the meaning of it, and as a Japanese, I see the two characters of his given name as awe-inspiring, just like his art. 國強 means “Powerful Nation.”
Cai Guo-Qiang/ I Want to Believe @ Guggenheim Museum
(Link to the visual documents of the incredible installation process at Guggenheim Museum)
Following the show at MOCA, Takashi Murakami’s retrospective opened at Brooklyn Museum yesterday.
The image below is from the opening gala on Thursday evening. While Kanye West performed in front of the guests, Marc Jacobs (in green) played a fan.
© Photo by Eric Weiss
Two decades ago, when I first saw several images taken by a then unknown artist David LaChapelle (he was more of an artist than a photographer), I felt like being hit on the head with a mallet. I’ve recently felt the same way seeing some images and a video taken by Clayton James Cubitt a.k.a. Siege. And his mallet is maybe even bigger…
Here is the profile of an extremely talented artist in Brooklyn.
Watching American TV commercials is usually like flipping through Vogue US which is a lot less interesting than Vogue Paris, Vogue Italia or Vogue Japon. This new commercial by Ford, however, is quite different.
OK, it’s actually made by Ford of Canada.
Just take a look at this.
Here’s the artist.
Related link: Design and the Elastic Mind
The world’s first 40 feet underwater hotel is set to open early 2009. The 24 suites and luxury apartments will be set up on Fiji.
On the evening of Valentine’s Day, over $40 million was raised to fight AIDS in Africa at a historic auction in New York — the most significant charity auction of Contemporary Art ever. The winner of the evening was Damien Hirst who donated seven pieces to the auction. Most of his pieces skyrocketed through the evening, including a massive stainless steel cabinet filled with drugs to treat HIV going for an astounding $7,150,000.
We’re in the middle of a full-blown recession, the rich are getting richer with plenty of money to spend, and the rest of us are now all in the poor class. It’s good to see big fat wallets being used in style for tax-deductible purchases.
Related article at NME.COM
“In a world…
where nature and science have emerged, where technology breathes and where living without it is impossible.
This futuristic world is the inspiration for a collection of imitation fur, for the fashion industry. ‘Future fur’ shows that it is more interesting to imitate an imaginary world…”