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<oembed><version>1.0</version><provider_name>WHAT WE DO IS SECRET</provider_name><provider_url>https://www.whatwedoissecret.org/madebyblog</provider_url><title>Apparatus of viewing - WHAT WE DO IS SECRET</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="eNtFooQXWN"&gt;&lt;a href="https://www.whatwedoissecret.org/madebyblog/2010/04/apparatus-of-viewing/"&gt;Apparatus of viewing&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.whatwedoissecret.org/madebyblog/2010/04/apparatus-of-viewing/embed/#?secret=eNtFooQXWN" width="600" height="338" title="&#x201C;Apparatus of viewing&#x201D; &#x2014; WHAT WE DO IS SECRET" data-secret="eNtFooQXWN" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><description>&#xA9; Abre Etteh &nbsp; Through studies of Charles Ginnever&#x2019;s sculpture Rashomon, this project explores the concept of animate space. Rashomon, an open geometric form devoid of right angles or parallel members, presents an intriguing scenario where only the rarest of witnesses could recognize it as the same work from one position to the next. In [&hellip;]</description><thumbnail_url>http://whatwedoissecret.org/madebyblog/wp-content/uploads/2010/04/apparatus.jpg</thumbnail_url></oembed>
