{"id":6557,"date":"2010-04-07T10:04:45","date_gmt":"2010-04-07T14:04:45","guid":{"rendered":"http:\/\/whatwedoissecret.org\/madebyblog\/?p=6557"},"modified":"2010-04-07T10:29:46","modified_gmt":"2010-04-07T14:29:46","slug":"apparatus-of-viewing","status":"publish","type":"post","link":"https:\/\/www.whatwedoissecret.org\/madebyblog\/2010\/04\/apparatus-of-viewing\/","title":{"rendered":"Apparatus of viewing"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/whatwedoissecret.org\/madebyblog\/wp-content\/uploads\/2010\/04\/apparatus.jpg?w=500\" alt=\"\" title=\"Camera Obscura\"  \/><br \/>\n<span id=\"photos\" class=\"floatright\">\u00a9 <b>Abre Etteh<\/b><\/span><br \/>\n<span><font style=\"font-size: 3pt; line-height: 3pt\">&nbsp;<\/font><\/span><\/p>\n<blockquote><p>Through studies of Charles Ginnever&#8217;s sculpture Rashomon, this project explores the concept of animate space. <\/p>\n<p>Rashomon, an open geometric form devoid of right angles or parallel members, presents an intriguing scenario where only the rarest of witnesses could recognize it as the same work from one position to the next. <\/p>\n<p>In connection to this, Sergie Eisentstien commented on the animated body\u2019s \u2018plasmaticness\u2019; this is its ability and perhaps willingness to morph. Rashomon affirms philosopher David Morris\u2019 concept of our perception of space as rooted in movement. Movement around the sculpture reveals space as plastic and a subjective experience filtered through our perception. Rashomon`s form captures the plasmaticness of animated space, which Eisentstein saw as the essence of animation.<\/p>\n<p>The approach to the building involved an intimate relationship between artist and environment through movement. The building frames a fluid space constantly in flux based on the position of the viewer. The building acts as an apparatus of viewing consisting of a continuum of views.<\/p><\/blockquote>\n<p><span>&nbsp;<\/span><br \/>\n\u30a2\u30d6\u30ec\u30a4\u30fb\u30a8\u30c6\u30fc\u306f\u3001\u3082\u3068\u3082\u3068\u30a2\u30cb\u30e1\u30fc\u30b7\u30e7\u30f3\u3068\u5f6b\u523b\u306b\u8208\u5473\u304c\u3042\u3063\u305f\u305d\u3046\u3060\u3002\u8996\u899a\u3068\u52d5\u304d\u3092\u30c6\u30fc\u30de\u306b\u3057\u305f\u3053\u306e\u4f5c\u54c1\u304b\u3089\u3082\u3001\u305d\u306e\u3053\u3068\u304c\u3088\u304f\u308f\u304b\u308b\u3002<br \/>\n<a href=\"http:\/\/www.behance.net\/Gallery\/Apparatus-of-viewing\/158103\" target=\"_blank\"><b>&#8230;see\/read more &raquo;<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9 Abre Etteh &nbsp; Through studies of Charles Ginnever&#8217;s sculpture Rashomon, this project explores the concept of animate space. Rashomon, an open geometric form devoid of right angles or parallel members, presents an intriguing scenario where only the rarest of witnesses could recognize it as the same work from one position to the next. In [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[24],"tags":[],"class_list":["post-6557","post","type-post","status-publish","format-standard","hentry","category-architecture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Apparatus of viewing - WHAT WE DO IS SECRET<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.whatwedoissecret.org\/madebyblog\/2010\/04\/apparatus-of-viewing\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Apparatus of viewing - WHAT WE DO IS SECRET\" \/>\n<meta property=\"og:description\" content=\"\u00a9 Abre Etteh &nbsp; Through studies of Charles Ginnever&#8217;s sculpture Rashomon, this project explores the concept of animate space. 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Who: Makoto Yamaguchi Design \u00a0 What: Weekend residence (2 adults) \u00a0 Where: Minami Karuizawa, Gunma \u00a0 When: 2003 (completion) \u00a0 How: One-story wood frame construction on reinforced concrete foundation. \u00a0 Site Area: 0.34 acre (1360.54m\u00b2) \u00a0 Construction Area: 737 square feet\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"https:\/\/www.whatwedoissecret.org\/madebyblog\/category\/architecture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/whatwedoissecret.org\/madebyblog\/wp-content\/uploads\/2008\/12\/karu_0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":15194,"url":"https:\/\/www.whatwedoissecret.org\/madebyblog\/2016\/01\/villa-mq-belgium\/","url_meta":{"origin":6557,"position":3},"title":"Villa MQ, Belgium","author":"Team","date":"January 20, 2016","format":false,"excerpt":"via yatzer.com | photos \u00a9 Tim Van de Velde Designed by Office O Architects (OOA), this family residence located in a rural area of Tremelo, Belgium, makes both an architectural and a sculptural statement with its unique voluptuousness and experimental approach to interior spacing. Having a client who encouraged experimentation\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"https:\/\/www.whatwedoissecret.org\/madebyblog\/category\/architecture\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6510,"url":"https:\/\/www.whatwedoissecret.org\/madebyblog\/2010\/03\/le-mannequin-concept-plans-elevations\/","url_meta":{"origin":6557,"position":4},"title":"Le Mannequin ~ concept, plans, elevations","author":"no.bi","date":"March 31, 2010","format":false,"excerpt":"\u00a9 cre8architecture \u00a0 Despite the modest size of the awards and high entry fees, the competition \"FASHION MUSEUM IN OMOTESANDO STREET\" gathered a surprising number of international entries showing high level of creativeness. Here is one of the proposals by Konrad Sienkiewicz and Adriana Koluszko of cre8architecture. We 100 percent\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"https:\/\/www.whatwedoissecret.org\/madebyblog\/category\/architecture\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":16076,"url":"https:\/\/www.whatwedoissecret.org\/madebyblog\/2016\/09\/house-rolf-netherlands\/","url_meta":{"origin":6557,"position":5},"title":"House of Rolf, Netherlands","author":"Team","date":"September 17, 2016","format":false,"excerpt":"via wallpaper.com | Photos \u00a9 Christel Derksen & Rolf Bruggink Sculptural living space: House of Rolf uses reconstituted materials to dramatic effect Dutch architect and designer Rolf Bruggink's latest project, House of Rolf, is a renovated 19th century coach house with a modern interior made entirely out of reconstituted materials\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"https:\/\/www.whatwedoissecret.org\/madebyblog\/category\/architecture\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/posts\/6557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/comments?post=6557"}],"version-history":[{"count":0,"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/posts\/6557\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/media?parent=6557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/categories?post=6557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.whatwedoissecret.org\/madebyblog\/wp-json\/wp\/v2\/tags?post=6557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}