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via Yatzer™ | photo © Pitsou Kedem Architects
Contemporary minimalism usually describes movements in various forms of art and design, especially visual art, where the work is stripped down to its most fundamental features. Such is the case with this historic residential flat in the old port of Jaffa, Tel Aviv – Israel, designed by Israeli-based Pitsou Kedem Architects. The 100 square metre (1,076.4 square feet) residential flat which overlooks the majestic splendour of the Mediterranean Sea is very unique not only for its location, but also for the structure itself.
Enjoy the tour of Jaffa Apartment @ Yatzer™ »
Photo © Noriyuki Yano
A super-rich skateboarding GOD is building his very own DREAM MANSION in Malibu — a personal skater’s paradise where he can shred in every single room … from the kitchen to the crapper.
Read the rest of this article @ Thirty Mile Zone »
Tom Ford’s Neroli Portofino
(the best ad campaign of the summer)
Tom Ford revives the classic concept of Eau de Cologne, by definition a highly diluted blend of citruses, Mediterranean herbs, and jasmine, which originated in Cologne, Germany in 1709. Neroli Portofino is flush with Tunisian neroli, Sicilian lemon, mandarin, bergamot, and orange blossom water. Its dominant citrus-floral character is balanced with a classic herbs-de-Provence blend of thyme, rosemary, and lavender, and wrapped in a sheer and warming veil of woods, ambers, and musks. Lovely for the season – and, apparently – good enough to bathe in…
Holidays designed to enjoy England’s scenic countryside have moved far beyond a desolate muddy camping ground with communal cold showers. Glass put ‘glamping’ and ‘green’ together and found that ‘sustainable’ and ‘luxury’ go hand in hand. Designed to reduce our carbon footprint, Glass also found that these country escapes made fine candidates for the future of modern, sustainable living.
Read the rest of this article @ Glass Magazine »
Elmo Swart Architects have completed a stunning modern addition on a traditional thatched-roof home in Durban, South Africa. This bright, angular and open addition adds space for entertainment and privacy, with both providing an open view of the natural lot around this home.
Read the rest of this article @ TheCoolist »
There it stands, looming, a great and terrifying presence. An idol from Africa, a voodoo priest, bewitching and talismanic.
To smell IDOLE is to wake up in a strange and exotic place. The air is thick with saffron, pepper and rich spices, smoldering over a sultry, magnetic blend of incense and ashes. Sticky resins bleed their intoxicating tears… bark burned in effigy to protect a powerful and mysterious god.
You want to explore, but are afraid. The dizzying fumes of island rhum and smoky incense leave you drunk on all the magic of the unknown. But brave enough to go forth.
“From the shores of East Africa to the Sunda islands, from Zanzibar to Macassar, on the maritime spice routes, for centuries, nomadic people have set out, all sails to the wind, to face the storms…this bottle is the sail of a felucca, full with the swift sea breeze, taking away a wooden idol by night, the symbol of a nomadic people.” – Serge Mansau, Bottle Designer
“Set the jungle on fire with a woody liqueur rich in scorching spices, as sweet as sugar cane, and as warm as leather.” – Olivia Giacobetti, Perfumer
Olivia Giacobetti, as she did with Dzing! for L’Artisan Parfumeur, creates a three-dimensional scentscape with the vision and imagination for depth of an architect. From it’s spice-heavy top to its dark, intriguing base of leather, sandalwood and resins (suggesting cistus labdanum, benzoin, amber and myrrh), this fragrance will have you transfixed, powerless, and under its spell.
Undeniably, one of the best parts of IDOLE is its packaging. Shaped as a felucca sail, its glass hollowed out by the warm winds of the East, the bottle is topped with an impression of a classic African mask. Striking, severe, and all the while exquisite, IDOLE is truly one of a kind – a real piece of art.
Noire et Blanche, Man Ray, 1926
Head of a Woman, Pablo Picasso, 1907
On paper, Light Blue is one of the last fragrances I would expect to like. With a taste for dark, spicy orientals and an affinity for niche brands, a bright, sunny citrusy blockbuster from Dolce and Gabbana is something I would typically brush off as ‘not my thing’.
Consequently, I am shocked and delighted to admit that I absolutely love this fragrance. Nothing pleases me more than being surprised by my own taste, and expanding my palate to this new dimension feels like an exotic vacation from all of the ambers, spices, resins and rich woods to which I am magnetically attracted.
Light Blue sparkles, or better yet, glistens with the effervescent edge of Sicilian lemon and green apple notes. The brilliance of the fragrance though, and what captures my attention, is the perfect balance of the wetness of these notes with the drying facet of amber and musk. The scent glides seamlessly, fearlessly, across this tightrope – the horizon where the sun hits the water. Warm, dry, and encompassing, yet dewy, splashy, and vibrant. And just as the sun collides with the water’s surface refracting light in infinite pixels, the molecules in Light Blue’s formula – in some beautiful, magical chemical harmony – do just the same thing: produce light, create energy.
There is something super nostalgic about the sweet and tart green apple notes here. Growing up in the 90s, this was an extremely popular smell for young girls, present in lip glosses, shower gels, body splashes and sparkly lotions from the likes of The Limited Too, Bath and Body Works, Bonne Belle and Delia*s. I even had a green apple scented nail polish – which at the time was an olfactory revelation – imagine: scented nail polish! So, at least to me, the smell of green apple instantly springs me back to those summers when I was 11 or 12. It’s an impossibly young, joyful, carefree scent association – one that Light Blue carries gracefully into a sophisticated young adulthood with the sexy, but still naive bouquet of white rose, jasmine, cedar and bamboo.
Light Blue was created by perfumer Olivier Cresp in 2001. Mario Testino shot the ad campaign, resulting in one of those rare occasions where the olfactory impression of the fragrance is transposed with a precision that is nearly synaesthetic. In wearing it, I am transported – almost wistfully – to years ago in Capri… salt water drying on my skin, soaking in all the charm and spirit of an Italian summer.